Microphones and Audio Recorders
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 Olympus DS40 Recorder

This Olympus recorder, at the highest quality setting, saves files in WMA format at 128kbps with a sampling frequency of 44.1 kHz, and has a frequency response of 50 to 19kHz. It will play WMA and MP3 files, has a 512MB memory, and has a small speaker on the back of the unit. This is a neat, good quality product.

The recorder has a plug-in stereo microphone which is pictured here. The mics are fed 2 volts from the recorder, via the jack plug. This microphone has a fairly limited low frequency response. The low frequency roll-off of this microphone is similar to that obtainable with the selectable low frequency cut option on the recorder. A particular colouration in the sound of this microphone (characterised by a strong response to sibilants) is the result of the casing and the internal positioning of the electret capsules. This colouration disappears when the casing is removed. Perhaps the designers have deliberately engineered a particular response to emphasise voice characteristics. The casing is effective in reducing wind noise.

The microphone setup is shown here, with, and without the casing. The circuit board has been moved a little out of its locating guides. There appears to be a simple parallel RC network across the microphone positive and ground. The capsules are set at 90° to each other and the microphone can be pointed towards a sound source whilst retaining some stereo separation.
 
CZ034GU Specifications

Sample recording: Sounds in the garden with a light breeze  

128 kbps 44.1kHz WMA recording using spaced Panasonic WM-61A electret capsules.
 Home constructed stereo T-mic May 2007

I designed and built this microphone specifically for the Olympus recorder shown above. I wanted to use this in place of the Olympus mic because its plastic casing causes over-emphasis at certain frequencies.

The body is constructed from nickel plated brass tubing. Small rubber lugs were added to locate with the depressions in the top of the Olympus recorder, to ensure correct alignment when plugged into the recorder. The 3.5mm plug is offset on the body to align with the position of the mic socket on the Olympus recorder.

http://www.youtube.com/wsclater?gl=GB&hl=en-GB#p/u/18/k6WFhRSbp4M

 Home constructed stereo microphone

This microphone employs two 6mm diameter Panasonic WM-61A omni directional electret capsules fitted into each end of a 390mm aluminium tube. The capsules are very sensitive, and have a fairly low noise figure. To reduce resonance, the tube is packed with putty. The rubber rings on the tube help to locate foam windshields (shown right), and are beneficial when laying the microphone down. The design relies on powering from a recorder. Handling noise is acceptably low, and the microphone produce a nice quality of sound.

Sounds in the garden with a light breeze Sample audio.128 kbps 44.1kHz WMA. Recorded with the Olympus DS-40

The stereo image is created by the differential between the outputs of the two capsules. Amplitude differences arise from the capsules' mild directional characteristics at higher frequencies, and from the relative proximity of sound sources. Phase differences occur where sound waves experience a time difference in reaching each capsule. The degree of phase shift is determined by the spacing of the capsules and the sound's angle of approach. This design provides a sense of spaciousness - best reproduced with earphones - which the T mic design shown above does not.

 Microphone Preamp Design   December 2004

I needed a very small preamp which would operate from low voltage small batteries. I found nothing suitable available commercially, so I had to set about designing and building a preamp device myself. I wanted to use this in conjunction with a small digital audio recorder which had no microphone input.

I identified the TEXAS INSTRUMENTS TLV2461 and a simple preamp circuit on their data sheet. I based my design on this circuit. changing the feedback component values to provide a gain level of 35dB. This IC will operate with a supply down to 2.8V, with low current drain, and has a low noise figure.

I fabricated a case by cutting apart a plastic box and reassembling one with final dimensions about 45X15X13mm, completing it after the components were assembled. I decided not to use a circuit board, and instead position each component to make best use of the limited space available, and wire the components point to point. I had some difficulty obtaining the tiny 0.25 watt resistors, and proceeded with the larger size, giving myself some extra problems fitting and soldering the components in such a small space. The series combination of 1kohm and 4.7mF in the feedback should give some low frequency roll-off. The -6dB point is about 33Hz.. The design employs three AG12, 386 cells.

The device seems to work well, coping with a wide range of levels despite there being no adjustable gain level anywhere in the system. The unit was designed specifically to plug directly into the Ripflash Plus, but it can equally well be used in-line.

Left, a diagram, taken from the Texas Instruments data sheet, which I based my design on.

 

Stereo microphone using ECM-404U electret capsules   October 2010

These capsules were used in this DIY design. They seem very similar to the Panasonic WM55A capsules. I used an 1/8", 3.5mm plug from some old earphones. The black base and top came from a surplus plastic box. The capsules are held lightly in place between foam plastic and the same fibrous material which fits behind the perforated metal screen.


Small omni mono plug-in microphone using a Panasonic WM-61A electret capsule.   October 2010

This plug-in microphone was made as small in length as possible. I used a piece of aluminium tube with an internal diameter of 6mm, which is the same as the external diameter of the Panasonic WM-61A electret capsule. This capsule is a very sensitive and relatively low noise device. The microphone relies on the voltage supply from the recorder it  is connected to. I used the stereo 3.5mm, 1/8" plug from cheap earphones, stripped off the moulded plastic around it, and cut it down to a minimum. The left and right connections are tied together. I fashioned a mesh grill for the end of the microphone.

 Sony ICD-AX412   Digital Audio Recorder     October 2011

This recorder has sensitive fairly low noise inbuilt microphones. These are not very directional, nor are they widely spaced, so stereo separation is fairly limited. On the positive side, they are not very susceptible to handling or wind. The input socket accepts a stereo microphone, and also serves as a line level input. It has 2GB of inbuilt memory - expandable with micro SD card s of up to 16GB.It records at up to 192kbps. 75 - 20KHz response. It has a small but effective front mounted speaker.

http://www.youtube.com/watch?v=B2BqinPwAKI

The AX412 case opened up to view the microphone placement. Each capsule is set into a soft rubber housing. Note that the microphones are not directional types.

  Olympus WS-450S   Digital Audio Recorder     October 2011

Very small and light. Power: one AAA battery.

It produces high quality recordings with an external stereo microphone. The inbuilt mics are directional, and produce a good stereo separation, but they have quite a poor S/N ratio, and poor low frequency response This recorder has a 1GB memory, and records in WMA format, at up to 128kbps. Olympus quotes 50-19KHz, but this lower figure cannot relate to recordings made with the inbuilt mics. There is a very small front mounted speaker and an extendable USB plug for downloading and uploading.

Primo EM172 sensitive low self-noise electret capsule     October / November 2011

"Ultra low-noise" - High sensitivity - 10mm diameter

Specifications | UK source | US source

It is recommended that the capsule is operated at or near its minimum voltage supply of 3 volts to ensure the lowest noise operation. It seems to work well using the 'plug in power' of the Olympus and the Sony recorders above. The open input voltage of the Sony is 2.2 volts. The DC voltage measured at the capsule is 0.8 volts, and 1.3 volts when the capsule is connected to both channels of the recorder. There appears to be a resistance of 100 ohms between pins 1 and three, although the data sheet does not show this. I used pins 1 and 2, leaving pin 2 untouched.
Microphone comparison test using the Sony ICD-AX412 recorder. MP3, 192bps, 44.1 KHz

Construction of mono and stereo microphone bodies for the EM172 cartridges.

I used the aluminium tubing from cheap AA battery torches (flashlights) for the bodies of the microphones. These torches cost only £1 UK each .I cut the body of the torch and smoothed down the ends.

The stereo microphone uses two torch bodies, with a capsule at each end. I joined together the caps which originally gave access to the batteries. The capsules are spaced by 32cms. The construction design allows these microphones to be easily disassembled.

I used the spring from a clip to make contact inside the tube. This ensures that the tube, and the mesh at the end are grounded.

An O ring fits around the capsule, and this assembly sits at the end of a plastic tube.The outer silver coloured mesh fits over the end this tube. The tube, capsule and mesh fit tightly into the aluminium tube.


The EM172 stereo microphone with the Olympus WS450S attached with elastic bands.

Find this interesting? email   haldanes@ntlworld.com
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